From where I stand

This theme was different for me, and a bit of an experiment. When I first joined Instagram and started my project, I thought it was just about posting photos, not much different than Facebook. But I've since found it's quite the community, with many nuances. I quickly learned that there were universal tags for certain kinds of photos, and whole groups devoted to those tags. Some of my favorites have been #strideby, #morningslikethese and #fromwhereistand.

I really love #fromwhereistand. It's amazing how much you can see and find out in a fairly limited perspective and there's a huge variety of subjects, despite just looking down. As for a theme, it's also one of the tags that could be most in my control. So I decided to focus on photos of my everyday life from the viewpoint of my feet and see where it took me.

I really love these photos and enjoyed the chance to do something very Instagram-y. They go together well as a set and they're stronger visually than I expected. Even better, they truly represent my daily life:

Starting at the bottom, the pink blossoms are signs of the many trees in my neighborhood; I walk by those drain plaques constantly on the way to work; my little patio garden has become my regular weekend hobby; my Saturdays are almost always the same: two magazines and coffee on the couch; Chris and I are big music fans and Boston Calling is the perfect combo of a concert and our urban life; the shot on the stairs is from my first Instagram meet-up; we try and take advantage of the short walk down to the Charles and Esplanade on nice days; we were in a parking garage because we bought our first car together (!); and living in Boston means coming across history on a daily basis.

Take a closer look at the photos, and my shoes!

Sign of the times

This theme was a lot of fun. Boston has a great mix of old historic signs as well as a lot of neon, art deco and other signs left over from the 60s and 70s. They combine to make for some very visual landmarks along the streets, and bring color to some otherwise plain brick facades.

This is a case where I knew most of the signs I wanted to photograph in advance and went out specifically to those locations. Only a couple of these were ones I stumbled upon along the way. Or for instance, I went to Fenway Park knowing there would be something great there, and ended up photographing the sign painted on a wall that’s kind of off the beaten track, rather than right out front at one of the gates. But the Paramount marquee, piano store, liquor store, Coca Cola ad and Beacon Street sign were all ones I picked out in my head while thinking about this theme.

The main challenge was similar to that with the streetlights, of not shooting everything from below looking up. That’s how most of these signs look their best, which is logical since they were specifically designed to be viewed this way. But I tried to mix it up as much as possible, and I did end up with angles or viewpoints apart from what I planned on for a few, once I got there and saw the best angle (or found there was a truck parked where I was going to stand).

Finally, I included at the bottom one of my favorite photos of Boston that features the inspiration for this theme: the Citgo sign. I thought about including the Citgo sign in this theme, but ideally would like to take the photo from somewhere at the same level, rather than from below, and couldn’t figure out the best way to do it in time. And why try to out-do a photo I like so much anyway?

Sunset over Citgo, from the Top of the Hub viewing level

In the shadows

This was hands down my favorite theme. I've intentionally put it off in order to challenge myself with other themes that may be out of my comfort zone or at least something different. But with warmer and sunnier weather, I couldn't resist any longer. I love the patterns created by light and shadow, or not even patterns sometimes, but interesting abstract art painted on everyday objects and surfaces. The theme also lends itself well to architecture and geometry, two more of my favorite subjects.

There's not much more to explain about this group of images. Except for a streak of cloudy days in there, I had an abundance of photos and had to edit them down to these best nine. Enjoy!

Easy being green

This theme was again devoted to one color, green, just like the very first week. At the beginning, I had the same concerns as I did last time: that I wouldn’t find enough shots of that color. And just like last time, I was happily surprised to find it everywhere. As soon as you start looking for a color, you start to notice how often it’s used in everyday places. I didn’t even have to resort to photographing new spring plants, one of the reasons for picking green. I found a great variety of subjects, but they all still have a unifying look. The two colors I’ve done are now some of my favorite photos, and they look the best when displayed together.

I really like the first photo I posted of the garden hose (right). It's a perfect sign of spring and was a shot of color on an otherwise quiet residential street. But as I went along and came across so many other green options, I found that the color was filling up the frame much more than in this first one. So I decided to replace it with another image I didn’t originally post up on Instagram. I think they match so well now that I won't say which one is new!

Enjoy and here’s to finding more green things popping up from the ground soon!

Catching the light

This theme was inspired by the Charles Marville photography exhibition we saw at the Met Museum on our recent trip to New York. It's hard to take a bad photo of Old Paris, but I really like Marville's work because it's not just shots of everyday life, but of everyday objects. One of his main commissions, which earned him the title "Photographer of Paris," was to document the public works projects throughout the city in the mid-nineteenth century implemented by Georges-Eugène Haussmann, the chief urban planner. According to the exhibition description, that included twenty thousand new gas lamps, making Paris the City of Light.

After seeing that exhibition, and the array of beautiful photos of basic things we walk past every day, I had the idea to make streetlights one of my themes. It certainly made me pay much more attention to the lampposts around Boston, which surprisingly are fairly uniform throughout the city. The main challenge was keeping every photo from being shot from below and also trying to make each one a different style of streetlight. But at least the subject matter was everywhere, and it gave me a good excuse to head to some new neighborhoods.

There was a great quote on one of the Met gallery labels about Eugène Atget, a contemporary of Marville. Atget had an "unwavering belief in the power of the medium [of photography] to describe meaning through careful attention to things as they are." He rarely photographed people and instead focused on the streets and parks that served as "the cultural stage." It is a perfect reminder that the subjects I often prefer - streets, buildings, architectural features - can still have life and interest in them.

Source: http://www.metmuseum.org